Dredg Out Your Rushdie, Here Comes Something Different.

Orlando, Florida. Vacation destination. Disney controlled and infiltrated with some of today's most questionable members of society. Not this night. Downtown Orlando became the epicenter for American progressive and alternative rock band, "Dredg" to unleash the music from their latest album "The Pariah, The Parrot, The Delusion." This is the band's fourth full album release and the first to be released completely independent from a label's backing. Dredg, like many bands today, is seeing the value of being independent from the labels in order to properly express their message as they see fit and to keep better control over their creative expression and what a message this album has is nothing less than intense and truly brilliant. "The Pariah, The Parrot, The Delusion" is an aspiring anecdotal album aroused by the brilliance of author Salman Rushdie, whose book "The Satanic Verses" brought on controversy that sent the author into hiding for a decade. The author also wrote and essay titled "Imagine There's No Heaven: A Letter to the 6 Billionth Citizen" which became the backdrop to this latest Dredg album.

Dredg has been through a four album transmogrification in which has adapted a spectrum of sound and reclamation of artistry through music expression. The detail of the production in this album is very conscientious and Dredg executed the recordings straightforward with their heart and soul. The band has come a long way, but the effects of the economy and downfall to the music industry has put the band in a position to fend for itself. Gavin Hayes (Lead Vocalist & Guitarist) and I sat off to the side stage and discussed his view of the bands approach to recording music in the state that our economy has fallen onto and the current pattern to music sales because with eighteen tracks to absorb off the latest album tracks need to be carefully written in order to attract dedicated fans and new fans to make their purchase online rather then in store like the "old days."

"We haven't really changed our approach so much from a writing stand point. We are still focused when we are creating a record. Our goal is still from the packaging to the songs to having a complete record under lined with theme and identity. That's always going to be important to us no matter which way the business turns. We never think of the records as a song by song compilation. We try to create something that is cohesive. The only difference on this record is that we are independent now and partnered with ILG (Independent Label Group) which is mainly promotion and distribution. I felt like a little weight was lifted and I feel we went more back to our roots on this record."

The third release "Catch Without Arms" was viewed by Gavin as an album that was created on a song to song manner. It was a record based on opposites and conflicting opinions. The rebellious take on the record was emphasized instrumentally and felt a little more cohesive. Dredg didn't want to regurgitate the same record this time and it was a direct reaction to the touring of that album that brought them to dig deeper within their recordings. They toured with a lot of rock bands over the years and at that time felt like their shows were coming off a little passive. "We didn't really write that record with touring live in mind. Our last record was kind of how we wanted to write songs that better translated in our lives and I think this new record is a combination of the first two. There are a lot of elements that could be on LCO and even on our first record with instrumental pieces."

Leaving Interscope to become an independent music group wasn't a surprise to anyone. The business has completely changed over these last nine years and it were at the tail end of people buying CDs. From there the business flipped itself upside down and Dredg really didn't fit the label's model anymore because the label had to adjust their business model so they could make money. There were bands around Dredg who were selling more albums then they were at the time and those bands were getting dropped. To go independent made sense

"Our manager approached us about working with ILG after ILG approached him. It just felt like the right step to take because to distribute an album takes a lot of capital and we needed the backing to release our new album. It was important to us to see the records on the shelves and to build a small budget to promote that record is now available. Technically we are part owner of DCI on that level and we can be viewed as running our own label even though it's just us on that label. It's not like we are going to be out there signing bands but it feels good and I feel more in charge. It's kind of similar to a distribution deal where we are running our label with them. It just felt right and together we are going to increase our fan base. If this was ten years ago it wouldn't have been the right decision for us, but for where we are at in our career it's like a perfect marriage."

Once Dredg is about to recoup expenses from this last album they will be able to see gain unlike what they saw with Interscope. As an true independent band they are supporting themselves on costs and anyway to save a dollar is money they need to invest back into the group. This is what it means to be a struggling artist. Their tours are increasing and it has taken them around the world. It allows them to network with other bands and to create new tours with bands they have co-headlined with in the past. Dredg submits the bands they have worked with to their booking agent and management and create the tour around what they want and not what a label wants. One of those creative controls the band has as an independent is artistic control. If you are a fan you understand what I mean just by viewing their album covers and colorful lyrics. Gavin painted me a picture between the art and the music as it is created for Dredg.

"The arts are a big influence for the group. Drew (bassist) and I met in art class where we were drawing and painting long before we were playing music and the other members add to our appreciation for art through cinema and even books. This last album Drew and I painted a picture for each song and we created them to connect with our fans by adding images that evolved into a treasure hunt which allowed us to connect with our fans on a much deeper level. Fans end up purchasing the paintings as well as the albums. The clues to the treasure hunt go up on our website and the fans get really involved with the hunt. Cinema became an avenue for me as well as Mark in which we separately scored different movies. Film scoring is something we want to get into even on an Independent Film level. There something behind that format that is cool because it's behind the scenes. I think aspects of our music blend in well and can transition over well to cinema. The one movie that really stood out to me as the score of scores was Kubrick's 2001 Space Odyssey. It's visually stimulating and with minimal dialog supported by incredible music. Overall it just works flawlessly. I have read something that the creators were using some of the music just for screening and it worked out really well so I don't know if it was a mistake that the music became the emphasis of the movie but what a great mistake if it was."

Art has been a heavy influence to people on all levels and it is no surprise to see how a man's essay such as Salman Rushdie's "Imagine There's No Heaven: A Letter to the 6 Billionth Citizen" would influence a band receptive to artistic expression to write an album influenced by another man's written imagery. Gavin views progress as an event that has always relied on strong efforts and courageous acts by individuals who are willing to chance themselves by drawing outside the lines so to speak. To get away for the old traditions and to break away from old beliefs in order to make a better tomorrow. Salman Rushdie is a beautiful representation of such courage and a major reason why the band chose to use his essay as the foundation of "The Pariah, The Parrot, The Delusion."

This Thursday Dredg will be sharing the stage with the renowned author and believe me it's not very often that an internationally acclaimed author will share a spotlight with a band from San Francisco, but the rockers have shown their sincerity and their dedication to writing music for the love of music. Together Salman Rushdie and Dredg will come together at New York City's Housing Works Bookstore Cafe for SPIN Magazine's third installment of Liner Notes. The event brings together musicians and authors as part of a continuous event to raise funds for the Housing Works non-profit group which was created to provide homeless and low-income people living with HIV/AIDS and their families with adequate housing, food, social support, drug treatment, health care, and employment. Liner Notes has been a success thus far and I am truly excited to see what comes from the uniting of Salman Rushdie and Dredg. The band is extremely excited and flattered to share an evening with such a talent.

The Father, The Son, and The Holy Sh*t, It’s Judas Priest!

The parishioners gathered outside in their biker bests and long raggedy hair ready to raise hell in the eyes of Judas Priest. The star studded event went beyond the pierced jugulars, faded tattoos, and ritual beer chugging baptism of one Judas Priest first timer. Everywhere you glanced another head banger was parading through the cigarette butt lined walkway with a holier than thou commandment boldly printed across the chest such as, "I (heart) Big Fake T**ts" and "Find a face and sit on it." The not-so-virgins lured these men like the Silicon Sirens trying to lure Ulysses on his ten year journey home form the Trojan War. The only sign of the trojan war here were a few wrinkled packets stuffed iin the baskets as free giveaways. The Godfathers of metal chose this night at the Seminole Hard Rock to be the setting of their most historic recording to date. For the 30th anniversary celebration of their 1980 release, "British Steel," Judas Priest chose to honor the anniversary by capturing this one performance on video to be released on DVD in the near future.

The celebrities came out from the metal yard including Lita Ford, Nicko McBrian (Iron Maiden - Drummer), and Jim Florentine (Comedian) who co-introduced the metal salute to Judas Priest along side of Eddie Trunk (SIRIUS Radio/VH1 Host). After an "Eddie is Sexy" chant from the arena and followed by a metal breaking sound check, the lights blacked out and the pandemonium ripped through the crowd as the cameras began to roll. Seconds later the massive canvas draped in front of the stage came crashing down and the clergy of carnage appeared amongst the chaos of lights, rock horn salutes and camera strobes. The uproar of the fans, the turbulence of the sound, and the bedlam of the entrance made Judas Priest abundantly clear. Any disbelievers who think a band this vintage should hang up their jackets and perish, croak or give up the ghost need to succumb to their own conviction.

The Priest brought out all the guns for this show. Rob Halford has stood the test of time with his quasi-operatic vocal style and high-pitched screams rumored to hit an ear piercing G#6. He is living proof that a man can remain a Metal God among his fans no matter what his preferences are sexually, faithfully, or otherwise. As a songwriter, a performer, and now the label owner of Metal God Records, Rob encompasses the true definition of "living the dream," but it's with the Priest-hood he shares the stage with that Rob exemplifies as a leader manifested by his band. Glenn Tipton and K.K. Downing ravaged their fans with guitar thrashing riffs while Ian Hill underlined the motion with his bass and Scott Travis detonating the drums. The explosive performance gathered tremendous acknowledgment and astonishment from the fans, the music professionals, and especially this photojournalist on what will forever be a monumental evening for Judas Priest.

The tour is winding down and if you have any chance to get to either of the remaining four shows then do it. Reading this review, watching an internet clip, or waiting for the DVD to be released is in no way shape or form comparable to the feeling you could receive from over 1 million watts of pure metal energy condensed into infuriated sound, bursting through the blinding light show, and exhaling voice that is Judas Priest. The closest experience I can even imagine will take place ions from now when the universe collapses on itself and history is reborn. It is just what happened last night at the Hard Rock Live. Judas Priest "British Steel" was reborn and it was fantastic. Thank you Metal God for this honor. Your worshipers are rejoicing this morning to your sons, Judas Priest.

Sugar Ray Granulates Fort Lauderdale

The Culture Room is one of those clubs that you just happen upon when looking for an open deli at ten o'clock at night. With the exception of an airy courtyard, the club is a venue for the up close and very personal. The room was tightly packed leaving me to fight for space towards the front. After a few pushes and even fewer apologies or thanks I found an amazing spirit named Bianca defending her two square foot area with all of her might. This full figured beauty reminded me of the days long gone. The days when fans would go just about anywhere and at anytime to buy a ticket to see their favorite band. Bianca was fused to her sister and their cousin at the hip and the cost to squeeze yourself in set the the ladies back a whopping seventy-five dollars and that was before the beers that Bianca shared with my camera bag and Custo Barcelona shirt. I learned for an additional fifteen dollars you can meet the band after the show without any opportunity to snag a photo. Ok, don't get me wrong. The twenty-five dollars to see Sugar Ray with Fastball opening as the support is not bad. Tack on another ten dollars for parking and fifteen for the magical pink sticker bracelet and you were fifty dollars in the hole of this overly cramped evening with 350 of your newest friends. By the looks of the fans that fifty dollars is a full day's pay. Sugar Ray's popularity peaked in the latter half of the 1990's, but seriously?. In a time when music is being mishandled by the labels and intervened by the government this is hardly the time to milk your fans for the extra buck.

With that said I will add that as inclined as I was to not dip into my pocket for the bracelet Sugar Ray did knock out the audience with hard rocking hits one after the other. Mark McGrath is one frontman who is absolutely 41 going on 28. His delivery and stage presence was fluid, jarring, and colorfully vibrant with excitement. While most men in their forties have lost their hair, gained their "Daddy/Beer Guzzling" 50 lbs, Mark has preserved himself as a truly fit man who will steal your daughters away with his alluring glances, his pulchritudinous smile, and admirable ability to connect deeply to his fans while on stage. I was expecting to see a show that would be downscaled and delivered by an ego driven front man, but Mark McGrath is the real deal and lead Sugar Ray with such forcefulness and intensity that the potency of his leadership and his spirit left me with a get-up-and-go drive. His devotion for his craft is visually stimulating to watch. Constantly unfixed on stage and pumping the crowd up into a conniption of devoted zealots, McGrath is committed to Sugar Ray and loyal to the music first. He may have gone Co-Host Extra crazy in Hollywood, but he's still pure Sugar Ray at heart.

Sugar is now touring in support of their latest release titled "Music for Cougars" which I am assuming is a title referencing the young ladies who once attended the shows over the years or more likely dedicated to the Mother's who picked their intoxicated daughters off the floors after a solid Sugar Ray performance. Whatever the meaning behind the album's sultry title, tracks like "She's Got The (Woo-Hoo)," "Love Is the Answer," and "Morning Sun" are substantial evidence that being contracted to a major label or not you have to believe in yourself and the songs you create or your window of opportunity will shut you down. Sugar Ray isn't done by a long shot and their tour bus window is wide open. The tour continues West with stops in Tennessee, Texas, Washington and California but I think we will see them again real soon. Keep this in mind. If you have to wake up early "Every Morning" for work to "Answer the Phone," "When It's Over" Sugar Ray will continue to sweeten our most bitter day. "Someday" you will understand what I am talking about.

Miami’s Gone Green For Green Day

Miami has come a long way since the blue collar trend setters of the 1980's, Crocket & Tubbs A.K.A - the blazer jacket fashion police of Miami Vice, and even more so from the spectacular rainbow connection faux showgirls of the Bird Cage. No matter which image you mirror your wardrobe after, one thing is for certain, tonight not all Miamians slipt themselves into Custo Barcelona like I did. Green Day and Kaiser Chief made an "All Post Bulletin" for all in need of economic rehabilitation and who want to infuse diesel driven energy, raw metal music, and tantric lyrics to relieve their personal woes. American Airlines Arena was the epicenter of this quake and it burst at its seams with the infestation of dedicated fans and a trickle of a few newbies. The local radio stations gathered under the palm trees just adjacent to Biscayne Boulevard where a mirage of CSI Miami's Lt. Horatio Caine would preparing to investigate the onslaught about to take place on center stage.

Kaiser chief is a music experience that never ceases to shock me and thanks to the brilliant organization and guidance of manager, Mike Darling, the lads from Leeds have made a brilliant british march across the pond that make even the snootiest of Brits loosen their nickers for a night along with a grinning nod of approval. Their ability to make instant connection has been followed by the increase of their ever expanding nexus of a fan base. Lead vocalist, Ricky Wilson, blitzed the stage and posed statuesque like front and center atop his stage monitor. His fists punched the electrified air with his glory stick in hand to pay homage to the gods of rock above. They must have given him the green light because the reception from the fans pushed the air out of the building and the deafening answer was, "WE ARE READY TO GLORIFY YOU!" Kaiser Chief brings a new attitude to the stage underlined by the homage they pay to the influential bands before like Blur, Madness, and The Jam.

"Off With Their Heads" is the fourth Kaiser Chief album under the Universal Music label. The band shows no signs of slowing down and like a fine wine fermenting on a Napa Valley vineyard Kaiser Chief will only become more substantial to young music fans yearning for a unique blend of fresh music. Let's face it. Generation "X" & "Y" are victims in the political game of radio and MTV to the point that they are dumbed down to a cookie cutter lifestyle that just doesn't extend past Juicy wear and Nickel Back. Kaiser Chief's song list was heavy and flavored including their recent money song "Never Miss a Beat," "Good Days Bad Days," and "Like It Too Much." Once again I spun out of the photographer radar in a spiral to the first riff of "Ruby." As quick as the boys jumped on stage they were off and the unlucky lost souls outside were surely green with envy to not be inside because the arena's foundation fissured from the opener and the Gods of Rock could only guess what would happen next.

It amazes me to see that no matter who you are at a concert, no matter what your role is, when the lights black out your heart races, your eyes widen, and you lose yourself completely. If our own exits from this planet would mimic the feeling of waiting for a band to take stage then my exit will be one with the horns of rock blazed in the air on one hand and a flickering lighter in the other. Miami roared so loud that the sound track playing on stage sounded more like a gnat buzzing in your ear outside during a hurricane. Green Day's entrance immediately followed when a spectrum of LED lights broadcasted an eye popping scene of the Manhattan skyline stunningly portrayed on stage. Views of the Empire State Building, Midtown, and Downtown areas were broken by the bullets of spotlights targeting their aim on Green Day. One by one the mayhem crept out from behind the stage much like a grungy New Yorker exiting a Bleecker Street night club just before dawn. The adrenaline poured through the stoked fans, the band was pumped, and I was numb because it's moments like this I get to look back on my life as a music fan who once swore I would always be in the front row of a show. Twenty some odd years later and a life filled with enough events and adventures to write a full feature screenplay about, I was where I wanted to be. In front of the tall guy who was blocking my view.

Green Day is an atomic blast that erupted over a decade ago and the power they push increases with no tell-tale sign of a break up or side project. Their days of grunge and ripping the listener a "new one" still dominates the music industry. Their longevity is partly due to their consistent sound, radical presence, and most importantly, "keepin' in real" (staying true to their sound) while other bands have faded and vanished during their unjust reinventions. Green Day is what they are and have always been. The sentinels of rockdom. The song list expanded over three pages and well past the 10:30 PM curfew that a majority of the fans were given this night and who without a doubt will sleep tonight tucked in their beds happily dreaming of moshpits, fists of fury, and a band-aid box worth of battle scars. Green Day and Kaiser chief continue their march forward to bring sheer madness to a city near you and I will have to remind you of this. Don't wait for the golden reunion tour. Get yourself to the show now because this will haunt you as the "would of, should of, could of concert" your kids will hark on you one day for missing.

It's A Hard Rock Life For John Legend

The Hard Rock Seminole Hotel & Casino was the hotspot for big card hands last night as the dealer sent this journalist home with more riches than he imagined working in with only twenty dollars for parking, a maxed out credit card, and debit card recently replenished by unemployment. I walked into the Hard Rock Live! arena to the bittersweet songs of Michael Jackson flowing throughout the energized venue. The tickets sold out and the awaiting crowd inside paid homage to Michael Jackson in dance. The venue playlist spanned Jackson's career from his earliest days with the Jackson Five through to his last recordings on "Invincible." One surprise track of Jackson's that played over the crowd was "Another Part of Me" which premiered in the late 1980's Walt Disney 3-D action adventure movie "Captain EO" at Disney's EPCOT Center exhibit "Journey Into Imagination." The music interrupted by the cheers from the crowd as one woman became possessed by the King of Pop and danced furiously without missing a beat in front of the sold out arena. The classy venue served up a fine spirit for the guests to sip. The audio popped off, the crowd bubbled, and a new face walked alone to front and center stage with her acoustic guitar strapped to her glass figure body.

Porsche Smith is a new singer/songwriter hitting the circuit now increasing her fan base seven fold as the recently proclaimed grand prize winner of John Legend's "Be Legendary Radio One" Competition. Porsche is one music visionary whose self written music and performance is purely from the heart. Her one song set was a flush of hearts to astonished crowd seemingly ready to Simon Cowell the new singer off the stage. This natural and undiscovered artist received a well deserved applause from the audience reassuring an awaiting John Legend that his contest winner was the best choice and a person who will carry his name and reputation well and proudly. Her poise and bravery to step so calmly onto the Hard Rock Live! stage and opening for John Legend is one huge pill to swallow. I can only imagine she is resting well this morning knowing that she climbed and conquered her own Mount Everest and the most spectacular view ever. I will be definitely be paying close attention to Porshe Smith as she continues to adventure forward in, what I hope will be, a long and enriched career as a music artist. As fast as Porsche entered onto the stage she exited but she excited accomplished and one step closer to her goal to play and share good music from the heart for those who are open to listen.

The stage cleared and the crowd hustled to their feet when the lights went down signaling the arrival of my favorite spice, India.Arie. Rob Lewis (Musical director, Music arranger, Record producer, Music composer, Keyboardist) listed off a resume fit for a queen with his booming voice and the crescendo of his keys. The anticipation of India.Arie's appearance on stage ended when the spot light popped highlighting a very colorful India.Arie wearing a flowing gown with a top that accented her curvaceous body and warm inviting smile. The connection between artist and fan was instant and India.Arie walked forward, mic in hand, with the greatest of ease. Her voice filled my ears with such delight and her presence on stage warmed me deep within. My yearning of wanting to see India.Arie live on stage started when I first exposed in 2001 to her first music video titled "Video." Since that time India.Arie has proven herself to the music industry as a force to be reckoned with and really earned mediocre recognition that I truly believe she well deserves. It just proves to me that the state of the music industry in 2001 and currently still doesn't understand the definition of good music. India.Arie is nothing less than masterful and pure.

India.Arie accepted the invitation to join the John Legend tour this summer and since then has added such depth and beauty to every show. Her forty minute set could have extended longer. Her fans were very vocal with thunderous appreciation after each song including "The Heart Of the Matter" where India.Arie metamorphosed from singer to elegant pixie. She walked up center aisle through the adoring crowd wearing a brilliant colored dress and a pair of waving wings that tinted delicate shades of color onto her bare bronze skin. The lightning of flashes strobed and captured the singer in a flip-book like motion with her hands reaching out and making contact with fans who stretched out as she walked by. My experience at this show was well worth the wait to encounter her live performance. It was less then one month ago that India.Arie fell ill, but she was in full health for this show and she laid down a full house at the Hard Rock Seminole Hotel & Casino.

John Legend. Need I say more? John Legend was the sure bet as the ace in the hole for the evening and how could he not be? Center arena became center stage when John Legend was illuminated in before the dazzled crowd. He opened his set with the most soulful and alluring rendition of Bob Marley's "Redemption Song" adding new meaning to Bob Marley's album "Legend." John was accompanied by an army of security who more or less reminded me of the defensive line of the 2009 Pittsburgh Steelers. The fans reached out as far as they could hoping to feel so much as a breeze when Legend passed by. He reached back connecting with every hand that broke through the security wall and making his way slowly to the stage. The fans elevated the temperature to sweltering and I was taken back by the enormity of John Legend's voice bellowing out into the galvanized arena. It's a whole new respect and admiration for John Legend, who has come miles from his days in his University of Pennsylvania co-ed a cappella group, "Counterparts." His success, since his discovery by the cousin of Kanye West, has inspired a nation to take note that good music isn't a thing of the past, but is here now and it's coming to a city near you very soon. John Legend is touring in support of his latest release "Evolver" which is his third release and has once again grasped his fans in frenzy of sold out venues. Commandeering such a feat is becoming more difficult during a time of economic uncertainties, but John Legend has created a tour line up perfect for the fans feeling the financial squeeze and providing his fans with the perfect medicine. A night of feel good music during a not so feel good time. John Legend closed the night out at Hard Rock Seminole Casino & Hotel with a royal flush on the stage.

The John Legend tour is not to be missed as it continues touring around the U.S. throughout the North East and making it's way West before heading to Ontario, Canada.