“I’m from Dublin and I heard about Mumford and Sons in Dublin about five years ago and before they got big they came to Boston and played their first show at a venue called the Middle East. There were about 300 people at the show mainly Irish and English. That’s when I first got to see them. Then they came back about six months later and exploded with “Little Lion Man” I think. That show was at the House of Blues which is around 2,500 capacity. Now they are playing across the street and I because am such a fan of their’s I wanted to share and acknowledge their talent by welcoming in their fans to my restaurant for some fine food and fine people.” Joe hasn’t had any direct connection with the lads of London but tonight Glass Note Music’s Chris Scully was scheduled to drop by for a well earned pint on the house.



A canopy of large strands of lights hung loosely above the audience like a fish net with stars cascading down to the stage. The visuals are not flashy and anything more than what was present would have only taken away from the purity of the Mumford experience. “I have never been to a show like this. I feel such a positive synergy from the fans and the band. It’s like a weird connection between the music and the fans around me. I see a lot of shows but this one is not your ordinary show. It has substance. It’s fun, and it leaves you wanting more. A second or even a fourth encore would have been welcomed by this fan.” said Jennifer, 39 from White Plains, NY who also bussed out from New York City to catch the show. “I have been listening to “Babel” and “Sighs No More” on repeat on my iPod since the summer. The music ages gracefully and doesn’t get old. You just have a natural tendency of wishing for more.”
In under six minutes Brooklyn not only sold out the second show, Brooklynites raised their mighty voices in one roar as the lights turned down at the Barclay Stadium for another sold out show on the second night of this tour. “Folk Rock in Brooklyn? What’s next Gluten Free Italian food? Brooklyn’s going to the pigeons.” Perfectly spoken from this local poet. “I won’t lie. I dig their music. It’s different. I mean it’s an old sound made new again with a banjo. I never listened to banjo music but this is really good. Banjo and rock? Fuggeddaboudid!” Joey walked away with a beer in one hand and his 1980‘s acid wash jeans with the cut off sleeved t-shit exposing a superman logo on his left shoulder. Brooklyn’s show was filled with a lineage of families from grandparents with their grandkids, young lovers of all kinds, and Joey.
Mumford & Sons fill the interests and hearts of all kinds of music fans. They prove you don’t have to be a cowboy to enjoy Country or a metal head to enjoy Megadeth. Mumford & Sons make liking something different something cool. With all the music artists and groups available this group has climbed to the top and moved a world in shift of consciousness. The US has no other option but to hear their songs mixed with the likes of Rhianna, Kesha, Justin Bieber and LMFAO.
Mumford and Sons continue their US tour on February 12th back in Brooklyn to the lucky many who were able to purchase tickets prior to selling out again. They are supported throughout the tour by award winning Singer/Songwriter Ben Howard. His music compliments Mumford and Sons perfectly with an array of acoustic pieces. Howard’s adolescent love songs get you thinking. It’s more of a melodic rootsy folk music with perceptibly darker lyrics gently playing on acoustically to softer topics. Music fans were also treated to the sounds of The Felice Brothers from Upstate New York who opened both nights with equally impressive folk rock music. As the US continues its downward spiral in the world of music rest assure music has finally taken a turn for the best and Mumford is the word.
SIDE BAR PLEASE! This is the opinionated section of this article. My perspective all due respect to you the reader.
SIDE BAR PLEASE! This is the opinionated section of this article. My perspective all due respect to you the reader.
On a side note and for your reading enjoyment this is what Mumford and Sons revealed to me in their existence as a band. It’s seemingly eerie when comparing the music of today to that of the music history of yesterday. The Supremes break up and Diana Ross goes solo, so did Beyonce when she parted ways from Destiny’s Child. Frankie Valli and The Four Seasons go splitsville and Frankie Valli continued on to write some of his best music in his own spotlight much like Justin Timberlake continuing his success away from his former boy band NSYNC. Little Richard shock the the US with his flamboyant over the edge performances now mirrored by Marilyn Manson and even Lady Gaga. 1950’s America’s music movement transformed from Earth rattling and deeply defining contributions to music history to an empty calorie package of extra sugary Bubble Gum Pop music.

We pulled in our reigns and regrouped. We brought value back to our singer/songwriters. Folk music spoke to the souls of the world seeking relief from the Vietnam War. Sound familiar yet? America stood up and answered back screaming “We’re not going to take it, any more.” From the late 60‘s of the hippie movement to the sizzling experimental trials of the 70‘s, America grew in popularity producing some of the biggest and most iconic names in music history.
We were told to not shoot until we saw the whites of their eyes and when our guitars shot out we fired back with Janis Joplin, The Doors, Jimi Hendrix, The Jackson 5, Michael Jackson, Tina Turner, Chic, Madonna, Prince, Fourplay, Whitney Houston, Run DMC, Bon Jovi, Soundgarden, Mary J Blidge, Metallica, Bruce Springsteen, Motley Crue, and even Weird Al. The names go on and on and so does the longevity each and every music artist who thrived during this music peak.
The US became innovative and explorative with newly invented sounds and genres such as New Wave, Rap, Hip-Hop and Grunge. The US was on top of the charts in every genre and there was no stopping this train, until Quad City, and I’m sure others before them, derailed our locomotive clean off the tracks. “Woo Woo C’Mon N’ Ride It.”

Music inflated by excessive revenue dollars for temporary quick buck ponzi scheme like promotional campaigns. Merchandise such as ring tones, reality show placement, schwag, and any other sensationalistic means, but there are some names bringing music back to America such as John Legend, Bruno Mars, and Taylor Swift and other veteran and young music artists still writing their best music to date. Maybe the British and irish have it right. Sing about unity and not separation. Write more songs to get together and not for breaking up. Promote more songs of being happy and less of being jaded. In the meantime, welcome back to the second British Invasion brought to you tonight by the most amazing awe inspiring music by the new Kings of England, Mumford and Sons.
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